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Brown was no stranger to sweetgrass basketmaking. She was part of a family of eight generations of basket makers, with four of those generations still practicing today. Harriet made baskets for over...
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Interviewed by Dale Rosengarten Florence Mazyck discusses the variety of natural materials that can be used for the baskets.
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Franklyn De Loach shares the details on getting the wood to make split-oak baskets.
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Franklin De Loach shares how the tradition of basketmaking was passed down in his family.
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Franklyn De Loach shares how the baskets were used according to their sizes.
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Interviewed by Dale Rosengarten Florence Mazyck discusses the amount of time it takes for bulrush to dry.
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Interviewed by Dale Rosengarten Florence Mazyck talks about why she prefers weaving with bulrush.
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Franklyn De Loach talks about the process of putting baskets together, from the bottom on up.
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Interviewed by Dale Rosengarten Florence Mazyck talks about who helps her gather her sweet grass.
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John V. Craven opened the original Craven Pottery in White County, Georgia in 1850. Several generations later, Billy Joe Craven (b. 1947) returned to the family tradition and established the current...
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Traditional waltz tune. Recorded during the "Fiddle Traditions" CD Release Party at the Spartanburg County Library. 2003.
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Hallman explains and demonstrates the many differences in fiddle styles.
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Traditional dance tune, recorded at the 1998 Fall Folklife Festival at McKissick Museum.
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Billy Joe Craven describes the birth of an enterprise. Billy Joe Craven, Craven Pottery, Gillsville, Hall County. Interview recorded June 1981. John V. Craven opened the original Craven Pottery in...
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Hallman relates a story about a particular Spartanburg County fiddler. Kathy Hallman demonstrates one particular method of accompanying her husband on the fiddle. 2003.
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Traditional tune from Hallman's 1973 album "Doublepicks." This number showcases Hallman's virtuosity on the guitar and his proficiency playing in the "flat pick" or "double pick" style.
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A pioneer among African-American business leaders, Arthur J.H. Clement, Jr., is credited with promoting positive race relations, spurring community development and enhancing business incentives in his...
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One of the popular instrumentals performed by the Pine State Playboys, spotlighting the musical talent of band members like Jimmie Colvard on steel guitar.
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From the album "Sentimental Journey" by Roger Bellow and Ann Caldwell, 2001. Bellow - guitar, bass, and vocals, Ann Caldwell - vocals.
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From the album "On the Road to Prosperity" by Roger Bellow and the Drifting Troubadours, 1991. Bellow - guitar and Spanish Dobro, Gordon Terry - fiddle, Don Helms - steel guitar, Bob Sachs - mandolin...
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Song featured on the "Fiddle Traditions" recording produced by Hairy Toe Productions. Clarence Green on guitar.
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Song featured on the "Fiddle Traditions" recording produced by Hairy Toe Productions. Clarence Green on guitar.
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From the album "Cross-Country Swing" by Roger Bellow and Paul Anastasio, 1999. This is a Tommy Duncan number from 1951. Bellow - guitar and vocals, Paul Anastasio - fiddle, Ray Wood - non-pedal steel...
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From the album "Success Street" by Roger Bellow and the Drifting Troubadours, 1988. This is an instrumental number with Bellow on guitar, Spanish Dobro, fiddle, mandolin, and bass.
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Brackett playing fiddle and singing from the "Fiddle Traditions" recording produced by Hairy Toe Productions. Leonard Brackett on banjo and John Fowler on guitar.
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A tune that reflects the popularity of juke boxes in the 1930s. Songs like this would have been mainstays at clubs featuring juke boxes and a crowd willing to dance.