MEDIA ARTS CAREERS: Film Production
There are many jobs that go under the heading of FILMMAKER...learn about writing, planning, directing, editing, set decoration, costuming, filming "on location", and the other exciting challenges that await the creative spirit of filming a story or documentary . From the very small film crew of 1 person, to a film crew of hundreds, there are many ways to make a film that will successfully impact an audience.
In this lesson you will learn some of the differences between using FILM & VIDEO, by hearing the positives and negatives of using the 2 technologies. This 1:1 lesson will be informational, but an actual "film making project" is provided in the Project Based Lesson in this unit as part of the VIDEO PRODUCTION lesson. However, if you are seriously interested in producing films, this lesson is a great overview to educate you about film and making films. Through the collection of video interviews, you will learn an enormous amount about the planning, expense, and NON-GLAMOROUS hardships that can be a large part of filmmaking...but also, you'll hear the passion that so many in the industry have for this profession!
Essential Question
What are the best ways to learn about the different aspects of filmmaking, and get involved in the process?
Grade(s):
- 8
- 9
- 10
Recommended Technology:
Student chromebook
video camera OR cell phone w/ video capabilities
[Recharger for either cameras]
tripod or dolly, if using a video camera
Other Instructional Materials or Notes:
Filmmaking Notebook [new spiral notebook]
Pen/pencil
a folder with pockets inside for clipped images from magazines, discarded books
scissors
glue
1 piece posterboard, any color
Lesson Progression
1)VOCABULARY: [Define all terms, writing in film notebook]
animation
credits
cut
dialogue
digital camera[video]
dissolve
documentary
dolly
edit
fade
film[celluloid]
film camera
frame [noun: as in "one frame of film"]
frame [verb: as in " Framing a shot artfully is very critical."
genre ["types" of films...list them]
"indie" film
millimeter [film measurement]
monologue
narration
post-production
projector
"rule of 3rds"[creating a photo or framed shot for film]
sfx [sound effects]
"shorts"
steadicam
shot type [ establishing, close-up, etc.... list and define each]
soundtrack
storyboard
take
titles
voiceover
2) Watch each resource video and summarize in your film notebook.
*Use 1/2 page for each video summary. Include the TITLE, AUTHORS, and SOURCE of the video.
[source= PBS, YOUTUBE, etc.]
* Summarize, recalling important points, & using film terms that were included .
* Write at least 5 complete sentences, giving the main points and some interesting details,great quotes.
* REPEAT this process for each video.
3)Return to the "EGG" video [NATURE SERIES]. Answer the following questions in your notebook [in detail, to the best of your ability]
** How did the producer give variety with the intro, in terms of different ways of showing eggs & egg sizes?
**Many times, the narrator was onscreen. What do we call it when we are seeing an image of baby birds, and he is narrating, but we don't see him?
**Describe the different use of sound effects [sfx] in the egg film.
**How do you think they filmed the INSIDE of a birdhouse with eggs inside?
** Do you think it took a long time to establish some trust, so that a bird would sit on his hand? Ideas on how that could happen?
3) After watching all videos, make 2 lists: * Why film is preferred by many filmmakers? & * Why video is preferred by some filmmakers?
4) Now draw a VENN DIAGRAM in your film notebook [See sample in resources] You will list the unique aspects of VIDEO,then FILM, and last, facts that are the same for BOTH PROCESSES will be entered in the center of the diagram.
Venn Diagram form: FILM / VIDEO
Fill out this Venn diagram by listing things unique to film on left side, things unique to video on the right side, and list commonalities in the middle "slice".
View ResourceFilm Production Expenses Sheet
This worksheet will give you an idea of the $ considerations inherent in producing a film.
Fill this sheet out AFTER you create your WORKING TITLE / film poster board.
Film Collage Idea Board
This is a way to visually arrange ideas for scenes in a film, taking into account settings, characters, and flow from scene to scene.
View ResourceDocumentary Filmmaker - Pare Lorentz
This is a very short film which shows small clips from the documentaries of Pare Lorentz. You will notice how "old school" the sound is, and it is in black & white instead of color. It's easy to see how much film techniques have advanced since the early 1900's.
View ResourceLaura Poitras, Filmmaker/ MacArthur Fellow
A filmmaker whose excellent & important work in documenting tensions in the Middle East was awarded a MacArthur Fellowship [a grant of money to support her while working]. Please read about MacArthur Fellowships on the PBS Learning website. Once immersed in her filming of the Iraqi conflict, she realized she needed to make a trilogy of films [3] to completely tell the complete story, instead of just 1.
View ResourceA Series of Kinetic Sets Tells A Story
Cardboard boxes become "windows" into the life story of a couple, by the deft use of a slow-moving camera, handmade scenery, photos,music & sound effects.
View ResourceThe Egg: Life's Perfect Invention
This film investigates facts about eggs; but from a filmmaker's point of view, notice how they give the film "action", but using STOP-FRAME ANIMATION to show eggs appearing and moving around on the grill, appearing in geometric formations, etc.. Listen how the additions of sfx are used in certain scenes. Watch at least 8 full minutes of this film.
View ResourceInterview with Fergus Beeley
Read the interview with the filmmaker Fergus Beeley. MAKE NOTES about what he says about the money needed to film longer, the "nest cam", difficulties of filming a reclusive animal in a jungle wilderness, carrying equipment into wild, damp locations, etc. THEN WATCH 15 minutes of his film, JUNGLE EAGLE.
View ResourceA Master's Advice: Inspiring Words for Young Filmmakers
Short clips of interviews with Stephen Spielberg, James Cameron, Alfred Hitchcock, Orson Wells, and many other directors give encouragement and advice to young filmmakers.
View ResourceFILMMAKING/Media Arts Toolkit
This is an excellent description of a CREATIVE WRITING class which became a FILM MAKING class to increase students' interest. Their teacher created a film making class, incorporating a world of writing, and analysis skills,[and some history of photo "stills" and films]... giving the assignment of "creative writing" a real purpose for the students.
View ResourceVideographer & Producer Lynn Cornfoot Interview: ARTOPIA/ knowitall.org 2:11
A woman who was interested in her Dad's film camera when she was a child is now a videographer and producer for South Carolina ETV in Columbia, SC. Hear how she put her career together to achieve a job that is her passion.
View ResourceTV production on location with Lynn Cornfoot / Artopia 2:21
This video clip gives a feeling about what a day of video set up and shooting would entail.
View ResourceWorking at SC ETV / ARTOPIA 1:30
This is a description of Lynn Cornfoot's ideas & feelings about the job of being a producer and a videographer.
View ResourceStandards
- MA.CR Creating - I can conceive and develop new design ideas and work.
- I Inquiry-Based Literacy Standards
- MA.CR Creating - I can conceive and develop new design ideas and work.
- I Inquiry-Based Literacy Standards
- I Inquiry-Based Literacy Standards
Assessments
COMPLETE ALL ASSIGNMENTS FOR CREDIT ON THIS LESSON.
ASSIGNMENT 1:
* IDENTIFY BUDGET NECESSITIES in your film notebook.
Try on "thinking like a producer/director." In this assignment ,you will be identifying some BUDGET aspects that a producer and director of a film must consider [Think SALARIES, TRAVEL, LOCATION, WEATHER IMPACTS, ACCOMODATIONS, FOOD, EQUIPMENT, POST-PRODUCTION, INSURANCE]
Make headings for each of these areas on paper. You will need several sheets, because you will need room to do some $ MATH $ to estimate expenses.
* ASSIGNMENT 2: Understanding the "BUSINESS SIDE" of filmmaking: CHOOSE a different film from the NATURE series[other than EGGS. Watch the entire film & make notes about location, how many crew members you see, etc. Make a list under each "budget aspect " mentioned above, and make specific comments about the expenses anticipated if you were the producer of that film [Obviously, you can't know the exact $ amounts, but list all items needed to produce the film, ready for an audience, that would cost MONEY.] Make sure to address ALL THE CATEGORIES mentioned in Task A.
Type all expenses that will be needed for example, under the heading FOOD, think about how many crew members and actors, how long they will be on the job on a particular location, 3 meals /day + snacks, water, coffee, etc. Multiply the amounts and estimate HOW MUCH FOOD would be needed. That would complete the FOOD column. Complete a list for each category. Do your best to estimate costs for EQUIPMENT, INSURANCE, TRAVEL, ACCOMODATIONS, etc. by doing personal research [grocery store, looking up prices for food] or online, or by asking someone who sells film equipment, has an insurance agency, etc. COMPLETE ALL CATEGORIES to the best of your abilities, with a $$ estimate.
*ASSIGNMENT 3): The Creative Side of Filmmaking: You will plan for a 3-minute film on any appropriate topic that interests you. Many "creatives" get their juices flowing by actually making a PLAN BOARD of IDEAS that will help their film/novel/children's book/ etc. "take shape" in their minds.
*With magazines, catalogues, or images you've printed from an online site, CUT OUT IMAGES that speak to you of a film you would like to create
* Cut out SCENIC images[backgrounds] CHARACTER images [people, animals, robots, etc.] STRUCTURAL images[ buildings], VEHICLE images [cars, boats, air travel, etc.]
* NOW, ON YOUR POSTERBOARD:
1. Write your "working title" across the top
2. ORGANIZE THOUGHTS ABOUT YOUR STORY BY GROUPING: Group Scenery together; or perhaps group a particular scenery with a character and a structure; use different areas of the posterboard to reflect what's in your mind about your film story.
3. When you're satisfied with your groupings, PASTE THEM ON. Give each scene a "title" & number.
4. Write any more notes you may want to add about the story onto the poster board[ sign it and date it. If you become a famous filmmaker one day, you can show this on an interview as your "first big idea!"
5. Now, after watching films and completing all the assignments, write a summary[ 1 page] of ALL THE THINGS you can actively do to become a quality filmmaker. Write the summary in COMPLETE SENTENCES.
EXTRA TASK) For Seriously Interested Future Filmmakers: Look up these film festivals online. One is in Columbia,S.C., and offers a "filmmaking camp" for students. Some festivals are in other states or countries. Look at the categories of films, and the AMAZING INTEREST in producing films that keep these festivals afloat, year after year!
INDIE GRITS - Columbia, SC / FULL FRAME - Durham, NC / SUNDANCE - Park City, Utah / TRIBECA FILM FESTIVAL - New York, N.Y. / TORONTO INTERNATIONAL FILM FESTIVAL, - Toronto, Ontario, Canada