THE BLUES...learn about it, write it, PLAY IT & SING IT!
Learn the history leading to the creation of the century-old song form called "the blues." This was a song form created and utilized by black Americans during the late 1800's.
HOW DID THIS SONG FORM DEVELOP? During the times of slavery, when long hours of work in the hot fields went unpaid and unrewarded, these captive workers helped pass the hours singing in the fields; songs called field hollars, call and response chants, and spirituals were spontaneously composed and sung on the spot. Many of these songs were especially memorable, and became "standards", as they were passed along from plantation to plantation.
The Blues song form evolved decades after slavery and was mostly written and sung as laments about a laborious life, an untrue lover, or a terrible turn of events. During this time period, black Americans were still being persecuted by unfair JIM CROW LAWS and other injustices, so the Blues helped express this continued life of sorrow, despair, or outrage.
This song form continues to be immensely popular! Blues songs continued to be written, sung, and recorded by musicians of ALL races, all over the world. It still utilizes several basic, simple structures.
In this lesson, students will compose their own blues song, by writing about present-day stressors and disappointments that ALL people have, no matter what age we are! The stressors seem to change the description as a person ages, but singing & playing music often seems to help.
Essential Question
Many times, song forms are very unique, depending on the TIME PERIOD and DEVELOPMENTS IN A CULTURE in which they developed. Learning about the BLUES helps equip students to write a simple but meaningful song, utilize a specific song form pattern, experient with creating writing...plus learn SOCIAL STUDIES FACTS about an important time period and culture in American history.
Grade(s):
- 5
Subject(s):
Recommended Technology:
Smartboard
Teacher's Computer
Other Instructional Materials or Notes:
piano/keyboard, guitar or ukelele [whatever the teacher is comfortable with, in terms of " I IV, V" chords
[play each of these chords as "7th" chords, when playing THE BLUES...see RESOURCES]
harmonica, if possible
blues worksheet copies [1 per student, or 2 students may want to compose/write together & share a sheet]
pencils for each student
clipboards, so they can write sitting where they are comfortable
Lesson Progression
* Read and DISCUSS topics brought up in the “Lesson Description” as a short introduction to the "blues" song form.
THEN:
- Discuss/explain the problems black Americans encountered during the reconstruction period: JIM CROW laws, voter suppression, sharecropping, the danger of black travel and interaction with white citizens still angry about the Civil War’s outcome.
- Listen to THE CROSSROADS, as sung by Robert Johnson at the turn of the century. Read lyrics again after you’ve listened once.
- Listen to/ watch PINKALICIOUS resource... “Singing the Blues”. [ Yes, this is for grades K & 1, but it is a very simple explanation & will probably even give them a chuckle.] QUESTION: Do you think a 5 year -old who has never seen a harmonica would be able to learn to play it that quickly?) ;)
- Demonstrate: Show the students a harmonica, & even if you’re not a harmonica player, just show them how blowing IN makes one sound, sucking air OUT on that same “reed” [airhole] makes a different sound. [Even though the harmonica can be played in a simple way, to make “blues notes” on it means blowing on a note in a different way….it “bends” the sound a bit.
- Show the video of Elvis singing the very up-tempo HOUND DOG BLUES. Notice how someone could take an old blues song and speed it up to sound like the “new” rock n’ roll, which was the “new sound” of the late 1950s.
- Show WHITE HOUSE ALL STARS video [Start at 5 minutes in, & just watch a few minutes, it’s very long]. What were the lyrics talking about?
- Let’s write a short blues song as a class: We’ll look at this example, and then break into small groups[2-3] to write your own.
- BLUES LYRICS FORMULA SAMPLE: [ see resources to put this on SMARTBOARD]…accompany with keyboard, ukulele or guitar
- As a learning example, look at this sample blues song: "too much math homework." [sample below]
- Sing it for the students with accompaniment.
D7 D7
Line 1:] “ Teacher works me too hard, multiplying make my face turn red”…[ words sound more “slang”-ish to change MULTIPLICATION TABLES to some other crazy way to say it]...[continue D7 until the word "teacher" below]
..................G7………………………………………………………………D7..................
Line 2:] “Well, Teacher works me too hard, multiplying make my face turn red," [ can add in a talking tone “& I’m sweatin’ pretty bad too, y’all…]
D7………………A7………………………………………G7………….........................D7............
Line 3:] "If my teacher don’t stop this math thing, my brain is gonna “fly out” my head!"
NOW, MAKE UP THE NEXT VERSE AS A CLASS: Students volunteer ideas for the next verse. Change Lines 1 & 2, using something DIFFERENT about math, but leave the 3rd line the same.
[sample idea for verse ] 2:] Well 2x2 is 4, Now that’s simple, and just fine
And 4x4 is 16, But 9 x 9 is WAY outta line
If my teacher don’t stop this math thing, she’s really gonna blow my mind!]
STUDENTS "GROUP UP" IN 2's or 3's TO WRITE LYRICS TO THEIR BLUES SONG [More than that is up to the teacher? Usually "less is more"] Students get clipboards/ pencils, and groups settle around the room, working quietly. THEY MAY NOT WRITE ABOUT MATH HOMEWORK since the example was about that; doesn't have to be about schoolwork...might be chores at home, not making a team that they wanted to be on, wanting to live in a different neighborhood/city, etc......MUST ALWAYS BE APPROPRIATE IN SUBJECT and VOCABULARY!!
- Now, open up the attachment with the C major and D major blues scales attached, and the relating chords
- Decide the key in which you feel more comfortable playing accompaniment, & which instrument.
- Sing the notes of that blues with the students. Use simple syllables like la ….or make it fun and sing a line of a nursery rhyme to some blues notes.
- Don’t worry about GRAMMAR when writing the blues. The point is to sing about the frustrating situation that’s happening, and this is done by using “the downhome language” of the people. This is very different from writing an ESSAY or a SPEECH, in which you would use the rules of proper English grammar.
- Work with your class to write your original BLUES.
- You may want to print out the 12 Bar Blues resource, and let each student write on their own copy, to get the feel of it! Also, you could print extras so they could write another on their own.
There are many blues formulas for lyrics & chords, but this “12 Bar Blues” is a very common type. The chordal arrangement a player uses may vary widely with the placement of the 3 basic chords, however. Sometimes Blues singers will even change the 3rd line. It just depends on who was writing it, & what they wanted to “say” to their listeners!
Blues Scale in C, D....Blues chords to accompany blues in C, D ....also, G scale & chords/writting on this resource fileis
whether you'd like to play an instrument in C or D to accompany your students in a blues song the class writes [or individuals compose], here is an easy reference for you. Play the blues scale in whichever key you want to accompany in, & let the students here the sound of these "bluesy" notes together.
IF YOU KNOW YOU WANT TO USE A "C " harmonica as an accompaniment, you must play:
BLUES SCALE IN G major: G, B[flat], C, C# ,D, F, G
BLUES CHORDS/G major: G7, C7, D7
12 BAR BLUES /Song form composition sheet
This sheet may be used by students to write in their lyrics [after they've finished writing lyrics on scratch paper]....and then teacher can play and help them sing along w/ accompaniment.
View ResourceBLUES MUSICIANS MIGRATE TO CHICAGO/ Soundbreaking
This video describes why blues musicians wanted to leave Mississippi, and other southern states, to head up north where records were made, and nightclubs provided audiences to listen to BLUES MUSIC.
View ResourceYoutube/ Piano Pig/ HOW TO REALLY IMPROVISE USING THE BLUES SCALE
This musician gives a truly understandable formula for figuring out the BLUES SCALE (for singing & playing melodies), and he lays out one particular 12 BAR BLUES chord progression that you can use with students who write a blues song.
View ResourceELVIS PRESLEY singing "HOUND DOG BLUES"
This classic, up-tempo blues number is almost too simple( only 2 verses) , but fits the BLUES CHORD PATTERN on the Youtube /piano pig/ how to improvise using the blues scale/
on the previous resource video.
THE CROSSROADS BLUES/ Robert Johnson
This is an early recording of Robert Johnson singing his famous blues song.
*The meter varies a bit, as he adds some guitar licks after he finishes singing a line
*However, the chord progression is the same as written in the lesson, and attached on BLUES PIG video
*It also gives students a chance to hear the "blues scale" as sung by an original blues artist.
SWEET HOME CHICAGO/ played by The White House All Stars [performance for President Obama & guests]
Scroll about 5 minutes in....it takes them a while to get the band set up and ready to play this "encore." It's also quite long, but you can hear Buddy Guy sing, as opposed to the following clip of the same song.
View ResourceSWEET HOME CHICAGO/The Kennedy Center honors Buddy Guy
Bonnie Raitt, Tracy Chapman, Beth Hart, and Jeff Beck, guitarist, are front and center honoring Buddy Guy by singing & playing Buddy Guy's signature tune SWEET HOME CHICAGO. Point out to your students that Bonnie Raitt uses some "slide guitar" licks by playing with a "bottle neck" on her finger to slide on the guitar strings...giving a classic "blues sound" to the playing.
View Resource"Singing the Blues" - PINKALICIOUS & PETERRIFI
This is a resource for VERY YOUNG kids, but 5th graders will enjoy it, if only because it's so crazily simple. But it DOES give a quick, over-simplified definition of the blues, and the Dad helps compose one on the spot. AT LEAST, it will show your student, it's a musical form "of the people", & one doesn't have to be a famous composer or songwriter to slap one together!
World's Easiest Harmonica Lesson #1
This is an excellent , easy to follow lesson about beginning harmonica, & gives a feel for how to play along with a blues song. This instructor also uses excellent:
* examples of historical people who have played the harmonica
*vocabulary to help students understand about blowing in air... and...sucking air out ["drawing"]which gives the different notes
*examples related to science about how the sound is made from the open spaces in your mouth, throat, and the way you hold your lips
HE ALSO HAS SEVERAL OTHER LESSONS, IF KIDS WANT TO LEARN MORE!
Definition: "embouchure " - [Webster's Dictionary] The position and use of the lips, tongue, and teeth in playing a wind instrument.
DIGITAL TRADITIONS: New Legacy Duo- "Chicken"
A guitarist and harmonica/vocalist from the NEW LEGACY DUO , have a nice delivery of blues singing and playing!
View ResourceDIGITAL TRADITIONS: Mac Arnold & Plate Full o'Blues Band from the NOTHIN' TO PROVE album
Here is a short snippet of a song that shows an amazing blues vocal delivery by Mac Arnold.
(:33 )
DIGITAL TRADITIONS: S.C. Boogie, by Drink Small / SCETV knowitall.org
"Drink Small, " a S.C. blues musician, delivers a rocking song.
View ResourceDIGITAL TRADITIONS: "Drink Small" photos and biography / SCETV knowitall.org
This is a rich description of the piedmont blues as it has occurred in S.C., and particularly of the Bishopville, S.C. native, an extraordinary blues singer and performer known as Drink Small."
View ResourceDIGITAL TRADITIONS: Cootie's Testimony, Cootie Stark / SCETV knowitall.org
This is a sample of very "old time blues" playing and singing by Abbeville, S.C. native Cootie Stark. Unfortunately, the sound clip does not provide the whole verse, but you can get the feel of this amazing musician's style!
View ResourceDIGITAL TRADITIONS: Cootie Stark
This is a biography, photos, and collection of short audio clips of blues musician Cootie Stark.
View ResourceStandards
- 5-3 The student will demonstrate an understanding of major domestic and foreign developments that contributed to the United States becoming a world power.
- GM.CR Creating - I can use the elements of music to communicate new musical ideas and works.
- Grade 3: Use conventional spelling for high-frequency words, previously studied words, and for adding suffixes to base words.
- W.MCC Meaning, Context, and Craft
- W.MCC.3 Write narratives to develop real or imagined experiences or events using effective techniques, well-chosen details, and well-structured event sequences.
- W.MCC.1 Write arguments to support claims with clear reasons and relevant evidence.
- W.MCC.2 Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.