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Sarasate Plays Premiere | A Minute with Miles

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On January 2, 1881, the Spanish violinist Pablo de Sarasate was in Paris to play the premiere of the Violin Concerto No. 3 by Camille Saint-Saëns.

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South Carolina Public Radio / A Minute with Miles

Vibrato, Part 2 | A Minute with Miles Abraham Lincoln | A Minute with Miles

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Abraham Lincoln | A Minute with Miles
President's Day is observed in the United States on the third Monday of February. February 12 is Abraham Lincoln’s birthday, and I wonder if you knew that our sixteenth president was a great music...
Vibrato, Part 2 | A Minute with Miles Atonal Music | A Minute with Miles

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Atonal Music | A Minute with Miles
Atonal music is music that isn’t written in a key, music that doesn’t follow the traditional rules of harmony. But although the term “atonal” tells us what a piece isn’t, it doesn’t tell us what it is...
Vibrato, Part 2 | A Minute with Miles Atonality vs Dissonance | A Minute with Miles

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Atonality vs Dissonance | A Minute with Miles
Atonality and dissonance are often linked in listeners’ minds, but they’re not the same thing. Dissonance, from the Latin words for “sounding” and “apart,” is the simultaneous sounding of two or more...
Vibrato, Part 2 | A Minute with Miles Chamber Music Rehearsals | A Minute with Miles

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Chamber Music Rehearsals | A Minute with Miles
Chamber music rehearsals are very different from orchestra rehearsals. In an orchestra rehearsal, it’s the conductor’s job to make the overall musical decisions and to ensure that the members of the...
Vibrato, Part 2 | A Minute with Miles Dvorak, Tchaikovsky and Melody | A Minute with Miles

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Dvorak, Tchaikovsky and Melody | A Minute with Miles
Already during their lifetimes, Antonin Dvorák and Peter Ilyich Tchaikovsky were among the most famous composers in the world. Their music is extremely sophisticated, the product of highly skilled...
Vibrato, Part 2 | A Minute with Miles Francis Poulenc | A Minute with Miles

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Francis Poulenc | A Minute with Miles
Francis Poulenc didn’t have to depend on composition for his living—he was the heir to the fortune of the Rhône-Poulenc pharmaceutical company—but he nonetheless turned out an enormous body of work in...
Vibrato, Part 2 | A Minute with Miles Max Bruch | A Minute with Miles

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Max Bruch | A Minute with Miles
Some great composers have been pioneers and musical radicals, and some have been fundamentally conservative. Max Bruch was a conservative to his bones, and it served him well. He established his...
Vibrato, Part 2 | A Minute with Miles Oboe | A Minute with Miles

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Oboe | A Minute with Miles
The modern oboe most likely originated in France in the 1600's. The word oboe, which is the instrument’s name in both English and Italian, comes from the French name, hautbois, meaning “high wood,” or...
Vibrato, Part 2 | A Minute with Miles Program Notes for Non-Musicians | A Minute with Miles

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Program Notes for Non-Musicians | A Minute with Miles
A word of advice today for non-musicians reading program notes in concert programs: If the program notes are heavy on technical analysis and are loaded with terms like modulation, inversion...
Vibrato, Part 2 | A Minute with Miles Rise of Violin | A Minute with Miles

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Rise of Violin | A Minute with Miles
Have you ever wondered how the violin came to play such an important role in the history of classical music? Well, it starts with singing. The invention of opera, in late 16th century Florence, marks...
Vibrato, Part 2 | A Minute with Miles Serenade | A Minute with Miles

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Serenade | A Minute with Miles
Serenade is one of those musical terms that has meant many different things at many different times. The term itself comes from the Italian sereno, which is from the Latin serenus, which means “serene...
Vibrato, Part 2 | A Minute with Miles Seymour Barab | A Minute with Miles

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Seymour Barab | A Minute with Miles
The American composer Seymour Barab started out as a pianist and organist, but as a teenager he took up the cello, and as a cellist he became a highly successful orchestra musician, founder of...
Max Bruch | A Minute with Miles The Clarinet | A Minute with Miles

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The Clarinet | A Minute with Miles
The clarinet was the last of the principal woodwind instruments to join the orchestra. The modern clarinet evolved from earlier forms in the early 1700's—later than the modern oboe, bassoon, and flute...
Max Bruch | A Minute with Miles The Development of the Piano | A Minute with Miles

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The Development of the Piano | A Minute with Miles
The harpsichord, the keyboard workhorse of the Baroque period, is an instrument with a problem: varying the touch on the keys has absolutely no effect on volume or tone quality. Depress a key gently...
Vibrato, Part 2 | A Minute with Miles The Double Bass | A Minute with Miles

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The Double Bass | A Minute with Miles
The double bass is the one member of the modern violin family whose roots are in the viola da gamba, or viol family. The next time you see a double bass, notice that its back is flat, like a viol’s...
Vibrato, Part 2 | A Minute with Miles The Glockenspiel | A Minute with Miles

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The Glockenspiel | A Minute with Miles
When a percussionist says, “I’m playing bells in this piece,” he means he’s playing the glockenspiel. Glocke is the German word for bell, and Glockenspiel literally means “bell-play.” The modern...
Vibrato, Part 2 | A Minute with Miles The Harp | A Minute with Miles

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The Harp | A Minute with Miles
Here's a little secret: harpist don't use their pinkies even though they have 47 strings to play. In today's episode, Miles Hoffman describes how the Harp is played.
Vibrato, Part 2 | A Minute with Miles The Trumpet | A Minute with Miles

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The Trumpet | A Minute with Miles
The Trumpet is the highest pitched and most brilliant member of the brass family. Miles Hoffman discusses the history of the trumpet.
Vibrato, Part 2 | A Minute with Miles The Waltz | A Minute with Miles

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The Waltz | A Minute with Miles
When the dance known as the waltz first became popular in Europe in the late 1700's and early 1800's, it was considered by many to be the ultimate in lewdness and licentiousness.
Oboe | A Minute with Miles Vibrato

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Vibrato
When violinists play, their left hands always seem to shake. But it’s not because they’re nervous. Violinists, violists, cellists, and double bass players all use a technique called vibrato.
Max Bruch | A Minute with Miles Vibrato

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Vibrato
Yesterday I talked about vibrato, the technique that string players use—rocking the fingers of their left hands back and forth to create small oscillations in pitch that result in a warmer, more...
Vibrato, Part 2 | A Minute with Miles Vibrato

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Vibrato
I’ve been talking this week about vibrato, the vibrato that string players use to warm up their sounds, and the vocal vibrato that’s the natural product of healthy singing. All vibrato consists of...
Max Bruch | A Minute with Miles Women's Voices | A Minute with Miles

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Women's Voices | A Minute with Miles
In operatic singing, there are three principal voice types for women. From high to low, they are soprano, mezzo-soprano—mezzo meaning “middle” in Italian—and contralto. The ranges of these voices...
Vibrato, Part 2 | A Minute with Miles Violin Family I | A Minute with Miles

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Violin Family I | A Minute with Miles
Episode 1
Have you ever wondered how the violin came to play such an important role in the history of classical music? Well, it starts with singing. The invention of opera, in late 16th century Florence, marks...
Vibrato, Part 2 | A Minute with Miles Violin Family II | A Minute with Miles

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Violin Family II | A Minute with Miles
Episode 2
The members of the modern violin family are the violin, viola, cello, and double bass. These instruments are descendants of various kinds of medieval fiddles—fiddle, by the way, being an older word...