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Set designers begin with small white models and then develop the models into something more elaborate.
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Although it may seem difficult to make a career in theater, Gross explains there is a wide variety of opportunities available.
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Construction begins for the current production, and Gross explains what each of the carpenters are working on.
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After a lot of hard work, the set for Dancing at Lughnasa is finally ready. Gross explains why he loves his craft.
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Winston Wingo explains how West African processes have influenced his work with sculptures.
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Winston Wingo explains the process and the tools needed to chase or provide a finishing for a bronze sculpture.
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Winston Wingo explains that he considers himself one of the Futurist sculptors. His influences include Henry Moore, Umberto Boccioni, and Arnaldo Pomodoro.
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Winston Wingo explains how he begins his sculpture with a series of drawings. He then selects a drawing that he wants to bring into a three dimensional artform.
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The costume mistress at the theater explains the process of making costumes for the puppets.