Music that explores themes of Christian belief and biblical history, and is popular among black and whites alike. Their renditions may differ significantly, in keeping with the cultural/stylistic traits of blues and old-time coun¬try/bluegrass, respectively. Early African American spirituals, church hymnody, and blues formed the basis for the rise of gospel music in the 1930s. Sacred music has many stylistic variations – 3 and 4 part harmony, shape-note, common meter hymn choir, call-and-response, and praise house are all a part of gospel’s foundation.
Content is provided by McKissick Museum, University of South Carolina.
For further information about any of the artists featured on Digital Traditions, send your questions and comments to hallagan@mailbox.sc.edu.
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A meeting that went badly inspired Camp Baskervill to start a heritage festival to help different cultures appreciate each other. This interview took place on August 23, 1991.
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Father Campbell served as the pastor of Camp Baskervill in Pawleys Island, SC (Georgetown County)
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Gumbo Stew features different art forms and exposes people to new cultures. This interview took place on August 23, 1991.
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Father Campbell served as the pastor of Camp Baskervill in Pawleys Island, SC (Georgetown County)
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Gospel group that sang in the Sunday afternoon “Gospel Extravaganza” portion of the Williamsburg County Black Heritage Festival in Kingstree, SC.
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Full congregation singing hymn, Traditional Gospel and Praise Service
